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DC:ART: Around My Way: Opportunities for Artists in Anacostia
FOR IMMEDIATE RELEASE:
Contact: Briony Evans Hynson, Creative Director
Phone: 202-536-8994
arts@archdc.org
www.honfleurgallery.com
In Historic Anacostia, announcing two opportunities for artists with deadlines fast approaching.
ARCH Residency Program, Summer Session
Deadline: March 1, 2011
Summer applications for the ARCH Artists Residency Program are being accepted now.
The program provides free housing and free workspace!! For more details, please click here or email arts@archdc.org with questions.
The ARCH Development Corporation (ADC) artist residency program is an opportunity for artists to pursue their creative project amid DC’s vibrant and diverse urban environment. . The residencies are approximately 8 weeks each. Each artist will work closely with the creative staff at the Honfleur Gallery and The Gallery at Vivid Solutions to determine the parameters of the residency. Residency will focus primarily on the artists’ project, and also foster connections to the local community, encourage dynamic interactions and engagement, and develop exposure to the resources of the greater DC cultural community. The program will offer free housing and free workspace to participating artists. The residency is supported in part by the National Endowment for the Arts. Application fee $25.
- Summer DEADLINE March 1st, 2011 – The Summer Residency dates: May 30th –July 22nd 2011. Open to any visual artists.
Call to Artists: 5th Annual East of the River Exhibition
Deadline: March 21, 2011
Honfleur Gallery and The Gallery at Vivid Solutions are pleased to announce the call for submissions for the 5th Annual East of the River Exhibition, highlighting the creative minds of Washington DC’s Wards 7 and 8. Artists living, working or with roots in the communities east of the Anacostia River may submit up to 20 images for review by the panel of esteemed judges:
Stephen Bennett Phillips
Director of the Fine Arts Program at the Federal Reserve Board
Renee Stout
acclaimed Washington, DC based artist
Susana Raab
Photographer, The Smithsonian Anacostia Museum
This year’s exhibition will focus on the presentation of bodies of work from up to six selected artists, to be exhibited at the Honfleur Gallery and The Gallery at Vivid Solutions. Proposals for works in progress will be accepted. A $300 award per artist will be presented to each artist selected for exhibition, and in addition, an individual work selected as Best in Show will be announced during opening night reception. The galleries are offering an optional Portfolio Workshop for interested parties, see the application for details. This exhibition is partially funded by the National Endowment for the Arts and the DC Commission on the Arts & Humanities.
Deadline for Submission: March 21st, 2011
Opening Night: Friday, August 5th 2011
To Apply:
Please submit the following in hard copy- email submissions will not be accepted:
$10 Application fee with check or money order
One Page Art Resume or CV
Artists Statement
Application Page with Image Info
CD with up to 20 jpeg images of work proposed for the exhibition.
Submit to:
Honfleur Gallery
c/o EOR Exhibit 2011
1227 Good Hope Rd. SE
Washington D.C. 20020
Full details are available under the News & Events section at:
DC:POETRY: Reminder: HOME featuring Khadijah “Moon” Ali-Coleman, December 17th, 2010
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DC:ART:FOCUS GROUP: Four Walls, Five Women Opening Reception Nov. 19


DC:ART: Around My Way: Fotoweek Anacostia – starts this Saturday! Receptions 11/10 and 11/11!
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DC:ART:Around My Way: Organica @ BlankSpace SE
ORGANICA : PHOTOGRAPHIC SERIES
by Melani N. Douglass & Rachel Eliza Griffiths
Gallery Hours: Monday – Saturday 10am -6pm
Opening Reception: November 6, 2010 at 7pm
@ Blank Space SE : 1922 MLK Jr Ave SE Washington DC 20020
The American Poetry Museum is pleased to announce the opening of ORGANICA: Photographic Series by Melani N. Douglas and Rachel Eliza Griffiths. The works to be displayed will allow its audience to appreciate the beauty in the simplistic nature of everyday life. The exhibit will feature the works of poet and photographer Rachel Eliza Griffiths, and photographer Melani N. Douglass. It will also introduce the works of student photographer James Holiday.
Rachel Eliza Griffith’s literary and visual work has been widely published in journals, magazines, anthologies, and periodicals including Callaloo, The New York Times, Crab Orchard Review, Mosaic, RATTLE, Puerto Del Sol, Brilliant Corners, Indiana Review, Lumina, Ecotone, The Acentos Review, PMS: poem memoir story, Saranac Review, Torch, The Drunken Boat, Black Nature: Four Centuries of African American Nature Poetry, Inkwell, Black Arts Quarterly, African American Review, Comstock Review, Hambone, and many others.
AMERICAN POETRY MUSEUM
“The American Poetry Museum is dedicated to celebrating poetry, promoting literacy, fostering meaningful dialogue, encouraging an appreciation for the diversity of the American experience, and educating local, national, and international audiences through the presentation, preservation and interpretation of American poetry.”
For additional information, Contact:
La’Tasha Banks, Program Coordinator
The American Poetry Museum
202.494.4093
lbanks@americanpoetrymuseum.org
www.americanpoetrymuseum.org
DC: ART: PHOTO: Oct 12, 2010: The African Presence in Latin America Photography of Jonathan B. French
DC:POETRY: Praise for Tony Medina’s “My Old Man Was Always On the Lam”
Please check out Tony Medina’s (friend and mentor) latest collection of poems My Old Man Was Always On The Lam.
Renée Stout: The House of Chance and Mischief, Sept. 11 – Oct. 30, 2010
Renée Stout, Party at the House of Chance and Mischief, 2010, acrylic on panel, 30” x 24”
Renée Stout: The House of Chance and Mischief
September 11 – October 30, 2010
Washington DC – Hemphill opens Renée Stout: The House of Chance and Mischief on Saturday, September 11, 2010, with a public reception from 6:30 – 8:30 p.m. The exhibition will remain on view through October 30, 2010.
In recent years, the contemporary art audience has often appeared more interested in opening receptions and art parties than in looking at art. But, of course, some parties are more meaningful than others. Renée Stout’s exhibition, The House of Chance and Mischief, is that party.
The House of Chance and Mischief is based on a recurring dream of Renée Stout’s, in which she is walking through a familiar house and suddenly encounters a door that leads to new and mysterious rooms. Stout understands the house of her dream to be a metaphor for the self, and the newly revealed rooms to represent an expanding awareness of a world inside and outside of that self.
Her dream, the challenges of friendship and family, and current events comprise the content of Stout’s fourth exhibition at Hemphill. The show is a cacophonous party where guests peer into the lives of the characters developed throughout Stout’s oeuvre. She presents a body of expertly rendered images and carefully manipulated objects, creating various tableaux that also speak as a personal narrative. Her work blends cultural heritage, personal mythology, and social responsibility from the perspective of an African-American woman. Utilizing imagery from African traditions, popular culture, and personal politics, she delineates pathways among cultures, communities, and individuals. Stout’s open creative process continually introduces new possibilities for her role as observer, trickster, healer, and artist.
In April 2010, the High Museum of Art, Atlanta, GA, awarded Renée Stout the David C. Driskell Prize, which recognizes Stout’s original and important contribution to the field of African-American art. Please join us to congratulate Renée and to party in The House of Chance and Mischief.
Gallery Hours: Tuesday through Saturday, 10 a.m. – 5 p.m. and by appointment
On September 16, 2010, at 2:00 p.m., Renée Stout will participate in the panel discussion Performance in/of Contemporary African American Art, with Jefferson Pinder and Kevin Cole, moderated by Dr. Laurie Frederick Meer. This event is part of the Performing Race in African American Visual Culture Symposium, September 15 – 16, organized by Yale University and the David C. Driskell Center for the Study of Visual Arts and Culture of African Americans and the African Diaspora (www.driskellcenter.umd.edu).

R.S.V.P










Thomas Sayers Ellis was born and raised in Washington, D.C. His previous poetry collection, The Maverick Room, was awarded the John C. Zacharis First Book Award. Ellis teaches at Sarah Lawrence College and in the Lesley University low-residency MFA program, and he is a faculty member of Cave Canem. A photographer and poet, he currently divides his time between Brooklyn, New York, and Washington, D.C.