DC:Town Hall Meetings Scheduled, Speak Up for Trees!

Find out what we can do to maintain our Green Spaces, not only in our East of the River communities but across the District!
Casey Trees
October 7, 2010
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Call to Action
Greetings!

Democratic Mayoral Nominee, Vince Gray, has announced a series of town hall meetings to be held city wide ahead of the general election on November 2, 2010.

Gray, along with Council Members and Area Neighborhood Commissioners from each Ward, will host the town halls to hear directly from residents about their concerns about District Government and the ways in which they would like city government to serve them best.

I encourage you attend the town hall scheduled to take place in your Ward to highlight three issues that pose a significant threat to the health of the District’s tree canopy – the fleecing of the Tree Fund, refusal to underground powerlines and the inadequate administration of the Tree Bill.

I have provided below a synopsis of each, and questions I hope you will consider asking at one the upcoming town halls or submitting to Gray’s mayoral campaign at action. You may also complete and return the campaign provided comment form. Feel free to print this email out to bring with you to the town hall and share with your friends and neighbors. The town hall schedule by Ward is at the bottom of this email.

Thank you for your tireless committment to restoring, ehancing and protecting the tree canopy of the Nation’s Capital.

With appreciation,

Mark Buscaino

Executive Director

Tree Threats
Urban Forest Preservation Act

The Urban Forest Preservation Act was established in 2002 to replace healthy trees that are removed by planting others to take their place. The intent of the Act was to replant trees removed from private property back onto private property. Unfortunately, money being paid into the Tree Fund to replace trees on private property are being used to plant street trees.

Furthermore, we have been told that since the Act was passed, 9,000 trees have been planted as replacements, but there are no public records showing where they are or if they are even alive.

  • Will your administration work to ensure trees removed from private lands are replaced on private lands? What changes to the law do you envision to make this a reality?
  • Will your administration share information about where replacement trees have been planted so we can ascertain the effectiveness of the law?
Tree Fund

The 2011 budget took $530,000 from the Tree Fund and diverted it to the General Fund for non-tree planting purposes effectively reducing the amount of trees planted in the District. The Urban Forest Preservation Act, which created the Tree Fund, forbids diverting Tree Fund moneys to the General Fund.

  • Will your administration commit to restoring these funds in the current FY budget?
  • What safeguards will you place on future Tree Fund balances to ensure this no longer occurs?
Undergrounding Powerlines

PEPCO recently and traditionally blames trees as the main culprit for power outages, and recently they have gone on record saying they will be more aggressive in their tree clearance operations. Unfortunately more aggressive tree clearance likely means more tree failures, and there still exists no comprehensive plan for reliability system-wide.

Reports continually recommend PEPCO underground its wires. DC’s Comprehensive Plan concurs with that view, and neighborhood groups bring this issue up every year. Despite this record, and DDOT’s rebuilding streets across the city which is the perfect time to bury lines as it is cost-effective, PEPCO resists, elected officials do not take the lead, and the wires stay overhead.

  • Do you feel that undergrounding utilities is an important issue for the present and future of the District of Columbia?
  • If so, as Mayor, will you take clear action to have PEPCO underground utilities?

Happy Birthday Trane (Repost from Sept 23, 2008)

Anyone who knows me how important John Coltrane is to me. On his birthday I am always pushed to think about what it means to be an artist and how to “be a force for good”.
Rather than try to wax further poetic about it I am going to link you to a little blog i wrote and to a website that published one of my poems about Trane.
I hope it is inspiring….

Everyday Citizen :A freestyle first meditation on “being a force for good” on Trane’s 81st birthday (done in one take)

All About Jazz: Trane’s Blues @ Nagasaki

Renée Stout: The House of Chance and Mischief, Sept. 11 – Oct. 30, 2010

Renée Stout, Party at the House of Chance and Mischief, 2010, acrylic on panel, 30” x 24”
Renée Stout: The House of Chance and Mischief
September 11 – October 30, 2010

Washington DC – Hemphill opens Renée Stout: The House of Chance and Mischief on Saturday, September 11, 2010, with a public reception from 6:30 – 8:30 p.m. The exhibition will remain on view through October 30, 2010.

In recent years, the contemporary art audience has often appeared more interested in opening receptions and art parties than in looking at art. But, of course, some parties are more meaningful than others. Renée Stout’s exhibition, The House of Chance and Mischief, is that party.

The House of Chance and Mischief is based on a recurring dream of Renée Stout’s, in which she is walking through a familiar house and suddenly encounters a door that leads to new and mysterious rooms. Stout understands the house of her dream to be a metaphor for the self, and the newly revealed rooms to represent an expanding awareness of a world inside and outside of that self.

Her dream, the challenges of friendship and family, and current events comprise the content of Stout’s fourth exhibition at Hemphill. The show is a cacophonous party where guests peer into the lives of the characters developed throughout Stout’s oeuvre. She presents a body of expertly rendered images and carefully manipulated objects, creating various tableaux that also speak as a personal narrative. Her work blends cultural heritage, personal mythology, and social responsibility from the perspective of an African-American woman. Utilizing imagery from African traditions, popular culture, and personal politics, she delineates pathways among cultures, communities, and individuals. Stout’s open creative process continually introduces new possibilities for her role as observer, trickster, healer, and artist.

In April 2010, the High Museum of Art, Atlanta, GA, awarded Renée Stout the David C. Driskell Prize, which recognizes Stout’s original and important contribution to the field of African-American art. Please join us to congratulate Renée and to party in The House of Chance and Mischief.

Gallery Hours: Tuesday through Saturday, 10 a.m. – 5 p.m. and by appointment

On September 16, 2010, at 2:00 p.m., Renée Stout will participate in the panel discussion Performance in/of Contemporary African American Art, with Jefferson Pinder and Kevin Cole, moderated by Dr. Laurie Frederick Meer. This event is part of the Performing Race in African American Visual Culture Symposium, September 15 – 16, organized by Yale University and the David C. Driskell Center for the Study of Visual Arts and Culture of African Americans and the African Diaspora (www.driskellcenter.umd.edu).

Graywolf Press and CAS51 invite you to join us as we celebrate the publication of Skin, Inc.

Celebrate Thomas Sayers Ellis’s second collection of poetry,”a complex, searing look at the state of black identity in America.” (Publishers Weekly, starred review)

Graywolf Press and CAS51 invite you to join us as we celebrate the publication of

SKIN, INC.
Identity Repair Poems
by
Thomas Sayers Ellis


Sunday, September 5

6:00 PM

CAS51

510 Randolph Street NW
Washington, D.C. 20011
(By subway: Georgia Ave-Petworth Metro Station)
Following a welcome from CAS51 co-founder Darryl Atwell, Ellis will give a brief reading and singer Carolyn Malachi will perform Ellis’s
“The Pronoun-Vowel…”.
Wine and hors d’oeuvres will be served.

Books will be available for purchase.


Thomas Sayers EllisThomas Sayers Ellis was born and raised in Washington, D.C. His previous poetry collection, The Maverick Room, was awarded the John C. Zacharis First Book Award. Ellis teaches at Sarah Lawrence College and in the Lesley University low-residency MFA program, and he is a faculty member of Cave Canem. A photographer and poet, he currently divides his time between Brooklyn, New York, and Washington, D.C.
Author photo (c) Rachel Eliza Griffiths

Skin, Inc

Everywhere With Roy Lewis events…


Please join us for the final two public programs for Everywhere With Roy Lewis
On Exhibit through Saturday, September 11, 2010 at PGAAMCC’s Gallery 110
Gallery Hours: Tuesday-Saturday 10am-6pm &
Thursdays 10am-7pm

As We See It: A Conversation with Black Photographers
Thursday, August 26, 7-9pm
and
Preserving Your Family’s Photographic Legacy
Thursday, September 2, 6-8pm

Please RSVP!
Parking is limited. Street Parking Available. Additional Parking available at the Bunker Hill Fire Station, 3716 Rhode Island Avenue, Brentwood, MD 20722— cross the street and walk 1 ½ blocks north to the Gateway Arts Center.

Montreal Musings


So I just came back from my first visit to Montreal and I must say that I loved it…if it wasn’t so damn cold up there most of the year, I think I definitely could live there…anyway…
I was fortunate enough to be there during the International Jazz Festival, it was an amazing experience to say the least. Although I loved the city and a few of the many cultural and culinary delights that i was able to experience while I was there, I must admit that the We Want Miles exhibit at theMusée des beaux-arts de Montréal was the highlight of my trip. A testament to the quality of this exhibit I think is in its ability to engaging and hold the interest of even a non “jazz head”, my girlfriend. I don’t want to spoil it for those of you who are already planning on going up there to check it out, so I am not going to say too much about it, because that is not really the point of this post. i will simply say that it is definitely one the best museum experiences that I have ever had and I did not know anything about Miles Davis before the exhibit I would definitely feel like I got not only an education on Miles Davis, but an Introduction to American Music and Culture…”bringing me closer to the point (rock dis funky joint)”..a few days ago i was reading Jazz Times at B&N and on the last page, Nat Hentoff had a piece about the We Want Miles exhibit.

Hentoff asks the question as to why jazz is not treated as “a fine art in any of the other museums around the country (the U.S.).” Hentoff also begs the question why events and programming beyond musical concerts have yet to take place in our great museums, such as MoMA and the like.

This is a serious question… Although Hentoff does not directly raise the question, I think he suggests enough such that this reader would further question why the American Fine Art establishment have not allowed the jazz and its practitioners to move out frame of entertainer and into being aesthetes or experts. Even here in DC, we see how jazz is used to set the mood, to be background or maybe even to give the appearance of intellectual depth, inclusive or progressive thinking, yet no serious engagement of the artform or the life of its practitioners beyond the realm of entertainer.

It is my hope that Nathalie Bondil will take up Hentoff on his challenge to invite museum directors from the United States up to Montreal to show them how it’s done.

check out Hentoff’s article here